The biggest part of the film takes place in an area not bigger than two square meter, which gives a huge sense of intimacy.

We want to pull the viewer into the car and let them sit between the two characters, so we over-exaggerate every sound the characters make: sounds you would normally edit out of the soundtrack. Every move and breath is enhanced by foley sounds (reproduction of everyday sounds like cloths, footsteps and squeaky doors). These foley sounds create a bond between the viewer and the characters that intensifies the emotional connection and create an immersive experience.

The car
Another part of the narrative is told by the car. We make it moan, creek, huff and puff. It makes you feel endangered. Will it catch fire? We don’t know. But if it does, that will change the whole situation. This constant feeling of fear brings suspense into the scene.